The practiceAbout

AriyaGallege

Architecture, observed by hand.

Architectural pencil drawing studio — hand-rendered perspectives, elevations, and conceptual studies since 2010.

Colombo, Sri Lanka

Ariya Gallege in the drawing studio
Ariya Gallege on a balcony overlooking the forest
Seated portrait of Ariya Gallege

The story

An exploration of light, proportion & material.

Ariya Gallege is an architectural pencil drawing artist based in Sri Lanka, working at the intersection of technical precision and atmospheric rendering.

Each drawing begins with on-site observation — tracing light, proportion, and material before returning to the studio for layered graphite work on cotton paper.

The practice collaborates with architects, developers, and cultural institutions worldwide, producing perspectives, elevations, and conceptual studies.

  • Colombo, Sri Lanka

    Location

  • Architectural Drawing

    Discipline

  • Graphite on cotton paper

    Medium

The journey

A practice in progress.

A selection of key moments in the studio’s journey, from the first commission to exhibitions and ongoing studies.

  1. 2010

    Studio Founded

    Opened independent drawing practice in Sri Lanka — first commission: a private library study for a coastal residence.

  2. 2014

    First Exhibition

    Galerie Linie, Zurich. Twenty-two drawings on cotton paper; three works acquired on opening night.

  3. 2018

    Urban Studies Series

    Began documenting European waterfront districts in pencil — light, proportion, and material recorded on site.

  4. 2022

    Gallery Exhibition

    Solo show of architectural drawings; residential perspectives and hand-rendered elevations.

  5. 2024

    Conceptual Pavilion

    Published Floating Pavilion study — awarded by ArchDrawing Forum for conceptual architectural drawing.

Sunlit drawing studio with coloured pencil sketches pinned to the wall and drawings spread across a timber desk

The drawing instrument

Every line beginswith observation.

Every line is drawn by hand with graphite on cotton paper — no digital shortcuts, no filters. The pencil remains the most honest tool for seeing architecture.